Showing posts with label novels. Show all posts
Showing posts with label novels. Show all posts

Tuesday, December 17, 2019

A CHANCE AT THE MOON - FIRST CHAPTER - LINDA LEE GREENE'S NEW NOVEL


TITLE: A CHANCE AT THE MOON

AUTHOR: LINDA LEE GREENE

GENRE: ROMANTIC THRILLER

PURCHASE LINK: 


One



C

olumbus, Ohio, October 7, 2002—The broad tree-lined avenues leading to the courthouse in the heart of downtown Columbus were crammed bumper-to-bumper with cars of spectators blowing their horns and thrusting middle fingers at one another through open windows. Traffic cops were busy maintaining order. The trial of the person charged the year before with the fatal shooting of one of the city’s most prominent citizens, businesswoman and philanthropist Inez Montoyo, was the enticement for the swarm. Ms. Montoyo’s daughter, acclaimed Broadway and Hollywood actress Olivia Montoyo Simms, was to give her testimony on this the opening day of the proceedings, and was the prime quarry the C’bus citizens had in their sites. It was the job of Nicholas Plato and his twin brother Tobias to shield her from the throng. As the watch on his wrist marked off minutes perilously close to the slated time of the commencement of the trial, Nicholas was growing concerned about whether or not the driver of their limousine would get them to the courthouse on time.

The judge thwacked her gavel on the little pad on her desktop and opened the trial officially. “Crack, crack, crack,” like gunshots the sound brought the room to attention, and Olivia jerked in the chair beside Nicholas. Just like Judge Judy on TV, Nicholas thought to himself, and then he gathered Olivia’s pale cold hands in his large palm and felt her settle into his reassuring touch. He had been worried about the skills of the limousine driver needlessly, as it turned out. The man had pulled some maneuvers that could have won him a spot as a stunt driver with a Hollywood movie studio, and had delivered them to the designated entrance of the building with time to spare. At that point, Nicholas and Tobias had worked for Olivia as her personal bodyguards for more than a year, duties that required their presence 24 hours a day, under her roof, and at her beck and call. The brothers occupied a separate wing of her home in a posh suburb of Las Vegas, a sprawling ranch she had purchased a few weeks after the death of her mother on July 13, 2001. Later that same year, she had sold her flat in Manhattan and her home in Los Angeles. She appeared content to set roots in Las Vegas, leaving behind her acting career, it seemed, as well.

Having to be practically nose-to-nose with the assassin for the first time since the murder, and reliving its retched details in the courtroom testimonies, of course proved worse for Olivia than the awful anticipation of it had been. It was an age-old story of an aggrieved employee taking revenge on his employer. A guilty verdict was brought in late that afternoon. Olivia elected to return to Las Vegas that same evening rather than staying in town and visiting with relatives and friends, some of whom had positioned themselves among the courtroom spectators and had exchanged glances and nods with her throughout the long day. A shaken Olivia and her solicitous bodyguards boarded the private jet one of her wealthy cronies had provided for their roundtrip flight, and departed Columbus as nightfall swallowed the horizon. Upon takeoff, she lowered the shade on the jet’s window that gave view below of the tight cluster of buildings and streets alight with the late hour, and wished never to be called back to her hometown again. She put the thought of Columbus and the trial out of her mind, and wondered if “Nicky” and “Toby,” as she called her bodyguards, would be up for a late-night jaunt to one of the casinos upon their arrival in Las Vegas. She pulled the vial of pain pills from her handbag, shook two of them into her palm, and popped them into her mouth—no chaser required. His tired grunt preceding his movements, Tobias pushed out of the seat next to hers, found a bottle of water in the jet’s galley kitchen, and delivered it to Olivia, its top twisted open. “Thanks,” she said, and then took a delicate sip. Cupping her hands over her aching belly, she laid her head back and closed her eyes.   

All through the following months, the tragedy cloyed with little letup in Olivia’s psyche. As July 13, 2003, the second anniversary of her mother’s death, drew near, Olivia’s body had long been displaying undeniable indicators of her soul’s reckoning with her, most notably in chronic abdominal distress and changes to the left side of her lovely face, in a drawn corner of her mouth, a sleepy eye, a narrowed nostril, features faintly askew as if she had recovered imperfectly from a slight stroke. Oddly, rather than detracting from her beauty, the imbalance in her face rendered her beguiling in a way different than before, fascinating in the way a freeway pile-up transfixes onlookers, both of them having death, or at least, mayhem in common. There was more to it than that, however. Loss was plain to see in her face, as was guilt from time to time—yes, guilt, because a determined vein of speculation threaded through the population as to whether or not she had had a hand in shaping her mother’s death, with or without intention. The investigation of the case had revealed that Olivia and her mother had been estranged from each other for several years, only to have reached a truce in the months prior to the murder. A sidebar to the situation was the fact that the murderer had been Olivia’s lover when she was only sixteen, a relationship to which her mother had put a stop. While Olivia had managed to put it behind her and move on with her life, the boyfriend had not done so, it seemed clear. That he had stayed on as an employee of Madam Montoyo’s after the fact unleashed rampant conjecture regarding the meaning behind it. Subsequent to the murder, the issue pricked Olivia like a thorn in her conscience now and then, but usually languished there, unexamined, and therefore, unresolved, as indeed it remained an unanswered tidbit among followers of the case.

In the face of all that had transpired, the essential life lessons the tragedy had to teach Olivia seemed to have failed to penetrate her conscious mind, at least in the aspect of amending her behavior, apparent in a stubborn ignorance or defiance unmistakable in the backward thrust of her shoulders, the high tilt of her chin, and her nightly pursuit of Las Vegas distractions. There was no hint that her best self would win in the end, due in no small way to her reliable attraction to risk-taking. Her youth and her penchant for recklessness had paid off big time in the past, markedly in her determined, meteoric rise in the film industry while still a teenager, but with the murder and its consequences, life had placed heavy odds against her.

The stakes notwithstanding, it had to be played out. It had already begun—something had been building in the atmosphere, something of moment, some extraordinary event about to be set in motion—some deciding factor. Like air pressure rising, clouds banking, seas roiling in advance of a menacing storm, it churned around Olivia. Nicholas understood that it had long been decided that he and Tobias would play supporting roles to her central one in the coming affair. In wary expectation, Nicholas waited in the wings for the remaining actors to appear.



Lights!      Camera!       Action!




Tuesday, December 3, 2019

HOW TO SAVE THE LIFE OF AN AUTHOR




By Linda Lee Greene, Author & Artist



It is a fact that “Muse,” that mysterious and severe task-master chains authors to their writing instruments for weeks, or months, and sometimes years at a time. They aren’t allowed to eat, or brush their teeth, or bathe, or sleep. They almost never get to see other human beings. Muse makes them ignore the ring of the doorbell and the phone, and pull the drapes and close the blinds. Nothing, nothing, nothing must get in the way of scratching down those precious lines. At long last the book is done—finished—complete! And authors wait; they wait; they wait for feedback from readers, feedback that is the lifeblood of writers, that keeps them motivated, that keeps them sane, that rescues their self-esteem, and that very well might save their lives!

Accumulating reader reviews of books is a huge hurdle for authors, and the truth is that without reviews, books don’t stand a chance of reaching a wide audience, even though they might be very worthwhile reads. Nowadays, by way of cyberspace, something like 4,500 new books per day hit the bookseller market, a large percentage of that number written and self-published by highly talented and fearless authors. The crushing heap of competition they are under demands that many good reviews on Amazon and/or Goodreads is the best, and perhaps, the only way they can crawl out from under the pile and receive the notice they deserve.

A lot of readers would like to post reviews but feel intimidated by the process. You’re in luck. You can write something as simple as “I loved it!” or “This is one of the best books I’ve ever read!” or “I couldn’t put it down!” If you didn’t like the book, explain the reason in the review because that’s information the author needs to be a better writer.

Please support authors by posting reviews of their books, especially at Amazon.com. All you have to do is go to Amazon and type in the name of the book. When the correct page comes up, click onto the space on the right indicating the number of current reviews. The reviews page comes up. You will see a series of five stars on the left side of the page. Click onto the star that corresponds with your rating of the book. The fifth star on the right indicates the highest rating. A dialog box in which to type your review is directly below the stars. And below that, a box shows in which to title your review. When you have done all these things, click “submit” at the bottom of the page. And wallah—you’ve helped to save the life of a hard-working and lonely author!



My latest novel, A CHANCE AT THE MOON is at https://www.amazon.com/CHANCE-AT-MOON-Betrayal-Murder-ebook/dp/B07Z44YN9X/.  Reviews are welcome.



Image: BOOKWORM  – Watercolor painting by Linda Lee Greene



Learn more about multi-award-winning, Ohio author Linda Lee Greene at http://booksbylindaleegreene.gallery-llgreene.com/, and at her online art gallery at www.gallery-llgreene.com. She is on social media at the following:

















Monday, January 7, 2019

LESSONS OF THE THREE A.M. HOUR©


LESSONS OF THE THREE A.M. HOUR©

By Linda Lee Greene, January 7, 2019



The three o’clock hour bewitched me again this night and pulled me awake. There are mystic presences in that middle-of-the-night-niche, charismas impatient to whisper secrets in my ear, or if not secrets exactly, Universal truths they wish me to contemplate that are too often shrouded in humanity’s repressive tendencies.



Floating on ethers deceptively soft and silky came the urgent word “responsibility.” I retaliated by stating under my breath that responsibility is a clear and obvious human principle. You and I exercise it all the time. We’ve got that one down pat. But these phantoms who visit me during the night don’t deal with the commonplace—their purpose is to challenge me to think beyond the familiar implication of things. I began by asking Google for the definition of the word. Google’s response was that “responsibility is the state or fact of having a duty to deal with something or of having control over someone.” I understood that these few words held within themselves only a hint of what my middle-of-the-night-messengers wished to convey to me—so I searched further. I found it in a chapter titled “Responsibility” in a remarkable book I read initially a year or so ago and have been leafing through casually again in the last few days. Apparently, the theme of the chapter has stayed with me unconsciously. HOLINESS is the name of the book, written by the deceased British historian, theologian, and spirituality writer Donald Nicholl.



Nicholl hits on several key issues in the chapter, all of them addressed from a spiritual point of view. For instance in his discussion about one of the ways we use our tongues, he says on page 69, “…We are responsible for every single word that we utter with our tongues; and if we utter bitter words we not only harm others, we also harm our own bodies. Our bitterness produces chemical changes in our bodies that harm them; and if bitter speech is continually repeated, the body will eventually declare itself diseased as a form of protest.”



            Hurtful, bitter words are too often the accepted and/or ignored pattern in today’s world. I worry that the practice of it will manifest as a pandemic of disease and kill off a generation or more of us before our times.   



Friday, July 10, 2015

A Collection of Personal and Revealing Letters

My historical fiction novel "Guardians and Other Angels" features transcriptions of authentic letters written by several of the main characters. Included in the novel is this one dated July 22, 1936, and is penned by my maternal grandmother Lena Gaffin and addressed to her firstborn child Marlin "Bob" Gaffin. Bob was in the Civilian Conservation Corp (CCC), a highly successful program put in place by President Franklin D. Roosevelt. Its purpose was to provide employment for young men across the nation, disenfranchised young men essentially, who were victims of the Great Depression.

In the novel, I funnel the experiences of the characters through pivotal decades of the twentieth century, making it a multi-layered story that blends fact and fiction.

"Guardians and Other Angels" is a 2.99 eBook on Amazon. http://goo.gl/imUwKO.

The paperback edition will be available in a few days.