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Showing posts sorted by relevance for query waterfield. Sort by date Show all posts

Sunday, February 12, 2012

“He Has as Many Gods as Stars”

In Good Company

My life as an author and an artist is highly rewarding in many ways that are essential to the nurturance and evolution of my Soul.  Among the rewards are the extraordinary individuals with whom I come into contact during the course of my artistic pursuits, persons who light my way through the products of their exceptional talents, at times the sharing of their expanded minds, and often, the offerings of their open hearts.    

My work as an interior designer also opens the doors to me of many homes of new people on a weekly basis, and now and then in that endeavor, hearts are opened to me as well, hearts full of treasures that inspire me, that astound me, that make the light of my journey brighter and clearer.

                Books, artwork, films, Mother Nature, among other things, support my journey, too.  Viewing the films of Turner Classic Movies for instance, especially stories of a historical nature, is one of my favorite ways of boning up on history.  Those old, black and white, story-driven movies speak to my storyteller’s heart.  The Great Depression and World War II are genres I especially appreciate.

I’ve created this blog as a means of introducing to you the individuals and activities in whom I hope you will also find aids in your journey.  It is my desire as well to give validation to the Luminous Souls and the Shining Creations in whose good company I am blessed to find myself.  I begin with Theodore “Ted” Waterfield:

“He Has as Many Gods as Stars”

My introduction to Ted and his lovely wife, Mary Catalano Waterfield, occurred when I was engaged in an interior design project with them.  Having chosen to remain in their home during their retirement years, they are making changes in it to accommodate that goal.  I was able to assist them in an aspect of that venture.  During our time together, Ted very proudly showed me three of his father’s superb paintings.  Two of them were prominently displayed on walls of the home of Ted and Mary, the third one featured on a little book of Ted’s poems he published several years ago, a book titled, “Sandusky Bay,” named for the area from which Ted hails.  Recognizing that here was a couple for whom art and books are central to their quality of life, I took the opportunity to invite them to an artist’s reception the following Sunday, the event to take place at a nearby gallery.  A number of my own paintings were exhibited there among works of art of several of my artist associates of the Grove City Arts Council, a group of artists, photographers, crafters and art appreciators active in the art scene of Greater Central Ohio.  I told them, as well, about my book, Guardians and Other Angels that is scheduled to be released in the coming weeks, explaining to them that it is my second novel.   Ted responded, “I’ve also written two novels, both of them very bad.  I’m actually much better at poetry.  I write a poem a day and post it on my website,” he continued as he discreetly slipped a business card into my hand.  I had the strong sense that I had just met a kindred spirit with whom I needed more contact for the good of my Soul, and I engaged him in a short conversation about the process of writing–about the process of creating any form of art.  My intuition about him confirmed, I slipped his card into my bag as I was leaving and was able to log onto his website a couple of weeks later. 

                As I read some of his poems, it was as if the energy of the Universe, the entire spectrum of its vibration coalesced in his words and sang to me through my computer screen.  This man knows things that everyone needs to know, I said to myself.  I decided then and there that Ted just had to be my first guest on my blog.

When we talked by telephone to schedule the interview for this posting, I suggested a morning hour on an approaching day.  “Oh no!  That won’t work!   I exercise religiously six mornings a week.  You see I’ve had three stents put in my heart and I think the exercise is keeping me alive,” Ted replied.  With this statement Ted revealed to me that here is a man intimately engaged with his own mortality.  I wondered if it was the motivation behind his drive to write a poem a day.  When a few weeks later, we met at his home, I, with my tape recorder and tablet, Ted, with his big and wide, open heart ready to tell me “His truth,” as he calls it, he confirmed to me that my hunch about his motivation was right-he doesn’t want to leave this life with all of his words still inside of him. 

I asked Ted what message he would like to impart in this treatise.  “Think like an angel and not a brute.”  It might also be the title of one of his poems.  He added, “If I’m loved, I want people to get something from it.  I want it to be a very happy experience for them.”  He ended our interview by saying, “Judge me by who I became, not by what I went through getting there.”  Read on and you will experience in Ted’s poems what he has gone through, and where he is now, a place anyone would envy.  These poems are published with the permission of their author.   



Bread on the Water

I shove longings into crevices

and they grow flowers.

I reach for clouds

and snowflakes fall.

Wind gushes

over the brim of goblets.

Stories open

their beginnings and ends

in beautiful pauses.

I am made whole,

allowing night

to begin and end,

and dawn to return

with yellow hands.
                                                                      Theodore Waterfield



Life is Long

One day, I thought,

life is short.

And then a rain began

to fall in me.

A wind began to blow

and tear the world apart.

The dirt pulled on my feet

and the life I had lived

became a stranger’s life,

a life I had led long ago,

somewhere else,

and in a twinkling,

in a flash of a smile,

I knew I had outgrown time.



I could never hope to know my life.

It was too huge,

too mysterious,

too sweet and sad,

and comes to me like riptides,

flashbacks into falling,

as if someone asked,

is life short?



I would tell them,

it is long,

terribly distant,

and full of notes to myself,

not to forget,

no matter the cost.
                                                               Theodore Waterfield



The Light of St. Peter’s

It was a basilica of marble and light.

My feet hurt,

but not as much as my heart.

Beauty is a giant spear.

It is lightning in the eyes.

On the steps

I looked across the great plaza,

to buses, cars,

streets running like tributaries

from a glowing lake.

People wandered,

solitary,

in pairs,

or like tribes crossing a desert.

What had I expected to find?

The hollowness of hills?

It was here.

The sound of a shore

and the sighting of a sea?

It was here.

A bazaar of people looking for their souls,

taking pictures,

murmuring like the wind in the trees?

It was here.



Or my own unexpected sense

of looking behind a door,

and finding the faces of mysterious beings,

Michelangelo,

Peter

the remote faces of Jesus and Mary?

It was here.

And they said nothing,

letting the words be my own,

their vision

whatever I brought

from the valley of my life,

into this vast church,

the soaring dome,

an arcade of hope

of unquenchable thirst

in stone, paint, mosaic,

showing the arms of God

looking for his children

like a father,

hopelessly in love.
                                                                Theodore Waterfield



Where Are the Poets

Why do scribblers write poetry and poets write nothing?

Because there’s death in confronting beauty.

Wounds no one can bear.

A search confronting inevitable loss.

Poets hide lest they be eaten,

thrown in the sea,

consumed by the flames of the faithful,

ridiculed by fools and realists.



They are fragile beings

who whisper, I am fog looking for shape.

Laughter looking for joy.

I have as many gods as stars.

Words fly from my heart

like birds looking for a country

where they are not hunted.

I write poems of air,

and die without remains.

Words drowning in silence.

                                                                                                                                         Theodore Waterfield

   http://www.theodorewaterfield.com



By the way, Mary and Ted came to my artist’s reception.  It was so sweet of them considering we had only just become acquainted.  Happy Valentine’s Day to all of you, and especially to Mary and Ted Waterfield.

To view the online gallery of my artwork, log onto www.gallery-llgreene.com           

Saturday, March 31, 2012

Finding Blessings in Our Detours


Finding Blessings in Our Detours



In 1960 adapted for the screen from Dore Schary’s, Tony-winning Broadway play, Sunrise at Campobello, starring Ralph Bellamy and Greer Garson as Franklin Delano and Eleanor Roosevelt, is a classic film as enduring, elegant, and engaging as its principle characters.  Crippled for life by poliomyelitis, the film focuses on FDRs courageous battle against the disease as well as his political foes, its time sequence several years before his initial run for the White House.  Its name taken from Campobello, a summer home of the Roosevelt family, it was there that FDR was stricken with the illness.

                Two of my forthcoming books:   Guardians and Other Angels and “I Received Your Letter…” are set during the Great Depression and World War II, and since he was one of the principles of those eras, my research has given me enough of a working knowledge of FDR to recognize that embedded within Sunrise at Campobello is an important aspect of the man that is so subtly represented in the film that it is otherwise easy to miss, an aspect that is widely considered the ground of his greatness. 

Among the many other appealing attributes of FDR was his charm, his enthusiasm, his total engagement in his life, but there was another side of him that was off-putting.  He was arrogant and shallow, at least until the poliomyelitis pulled him down several pegs, until it humbled him, until it grew him into an empathetic and a multi-dimensional human being of the sort required in the leader of his nation, the central figure charged with guiding it through the worst era of its history. 

He says it himself in the film.  FDR and Eleanor are sitting side by side on a sofa in their home.  They engage in a small debate over which one of them got the better deal in their choices of a marriage partner.  He says he did.  She says she did.  Seizing their poignant moment of true confessions, he tells Eleanor that during the course of his illness, he had experienced an epiphany, one that revealed to him his deficiencies of character, and that furthermore would have gone unrecognized absent his being crippled.  Simply and sincerely he expresses gratitude for the setback that steered him onto a new and better destiny.      

Carrying a heavy theme in a light-hearted package wrapped in his signature style is Woody Allen’s 2011 masterpiece, Midnight in Paris, a film worth viewing time and again.  Layered with incisive messages that strike you close to home and stab you in the heart, nevertheless it is such fun to watch contemporary performers show up in cameos as Scott and Zelda Fitzgerald; Cole Porter; Hemingway; Faulkner; Picasso; T. S. Elliott; Matisse; Dali; Lautrec; Man Ray; Degas; Gauguin; Gertrude Stein, among others. 

                Another coming-of-age story, a young and highly successful Hollywood scriptwriter nursing his dream to write novels, portrayed in a parody of Woody Allen by Owen Wilson, is stricken with “Golden-age thinking,” the romantic but erroneous notion that a life in another time would be better than ones actual life.  Accompanied on a trip to Paris by the mean-spirited and condescending trio of her parents and his fiancée, played true-to-character by lovely Rachel McAdams, the complete incompatibility of the pair unravels as the writer jumps through hoops to extricate himself from McAdams and her entourage to pursue his private love-affair with Paris.   

Wandering the city streets alone one night, in a clever time-warp, the writer is transported to Paris of the 1920s where he hobnobs with famous literary and artist figures of that age.  Even Gertrude Stein, flawlessly played by Kathy Bates, agrees to read and critique the unfinished manuscript of his novel.  Convinced that he is finally in the time and place where he belongs, he indulges his fantasy to the hilt and becomes infatuated with beautiful Marion Cotillard’s Adrianna, the legendary mistress at one point of Braque, then of Modigliani, followed by Picasso, then Hemingway. 

Discontent with her own era, Adrianna entices the writer into traveling even further back in time with her to the turn of the century where in an encounter with Degas and Gauguin, the great Impressionist painters express their desire to have lived in the time of the Renaissance.  Surrounded by such pervasive discontentment, the writer has an epiphany.  He realizes that everyone’s present time, throughout the whole of time, was and is a little unsatisfying because life always has been, always is, and always will be a little unsatisfying, and if he is ever going to write anything worthwhile, he has to get rid of his illusions.

                He breaks up with the nasty fiancée, decides to stay in Paris and follow his dream of writing novels, hooks up with a lovely and companionable French woman, and at the end of the film, side by side they walk in the rain into a blissful future. 

                The primary message I got from both of these films is that we have to try to find blessings in our detours—to make use of them somehow for they just might lead us to better circumstances.

Upon reading Ted Waterfield’s poems in my introductory posting on this site, “He Has As Many Gods As Stars”, my good buddy and master gardener, George Zonders, who turned me on to Midnight in Paris, also turned me onto Ogden Nash’s enduring poem, “Spring is Sprung.”  This is George’s version of it:

Spring is sprung

The grass is riz

I know where

The birdiez iz

Enjoy these first days of spring!  And thanks for the poem, George.

Linda is the author of the soon-to-be-released novel, Guardians and Other Angels, published by Saga Books.   She is also the co-author with Debra Shiveley Welch of the suspense novel, Jesus Gandhi Oma Mae Adams also published by Saga Books, and available at Amazon.com and Barnes & Noble.com.

To view the online gallery of Linda’s artwork, log onto www.gallery-llgreene.com