Wednesday, May 27, 2020

A STORY OF THE NAVAJO






By Linda Lee Greene, Author & Artist



Late in the year of 2004 and while conducting research for one of my novels, I came across a wonderful little book titled “Turquoise Boy, A NAVAJO LEGEND” (www.trollcom). It was my introduction to the fascinating Navajo (Dine’) system of belief, one that centers on respect for the spirit in all things and protects the harmony of nature. In this complex cosmology, Turquoise Boy is one of twin sons of Sun Bearer, the most powerful Dine’ god and his wife Changing Woman, the mother of all people. Turquoise Boy and his brother are responsible for ridding the world of evil, and the book reprises one of Turquoise Boy’s considerable and fascinating efforts to make life easier for the Dine’ who work long and hard in the tribe’s fields and deserts.



Sadly, Turquoise Boy’s work is far from finished as the Navajo Nation is now one of the cruelest of Covid-19’s killing fields of the Western Hemisphere. This is emblematic of the history of the fate of America’s First People, and I can think of no greater stain on present-day American decency. My fondest hope is that this pandemic changes the identity of all of America’s marginalized communities for the better, and especially as it relates to Native Americans.



It is important to me to encourage the welfare of the beautiful indigenous people of my country. For this reason, I include Native American characters in my books when appropriate, facets of my stories that showcase their histories, their cultures, and their priceless and immeasurable contributions to American life. My latest novel titled A CHANCE AT THE MOON, features as one of its main characters a Navajo rancher named Sam Whitehorse whom I patterned after my father. Sam emerged as my favorite character in my novel. The following illustrates a bit of Sam’s appeal:



Excerpt of

A CHANCE AT THE MOON



…Dropping his keys in a pocket of his baggy and dustpowdered seen-better-days jeans, which were hiked up with his ancient Concho Belt that like his knees, was going slack of late, Sam Whitehorse ambled toward the squat building that housed the local VFW Post. He wiped the sweat from his weathered face with an enormous red kerchief he pulled from around his neck. There was no doubt of his Diné heritage, for he was undersized by typical American standards and almost Asian in his lithe wiry compactness. His skin, slicked nearly to hide over the years and burnished mahogany from the strong southwestern sun, spanned tight forearms, rugged hands, and bold cheekbones. His skin lost its high color in dark and deep hollows on either side of his shriveled mouth. Sparkling jet eyes, sloped and intense and full of mirth, were the only rivals of his superb Geronimo nose any Caesar would envy.

“Sam, you old snake!” a voice rang out as he entered the door. Sam diminished in size by several inches when he removed his tall Sugar-loaf sombrero to pass his kerchief over his damp white hair. Observing Western etiquette of permitting the wearing of hats indoors, he replaced the sombrero on his head. It was a tradition harkening to the early days of the Old West when a cowboy’s hat, along with his saddle and boots, was his most prized possession. A hat was useful in warding off everything from hailstones to low-lying branches, or to fan campfires, or to act as a vessel in which to haul water. Over the crowd’s cacophony and Vince Gill’s high-pitched tenor that blasted from the Jukebox, the voice shouted again, “Sam...Sam Whitehorse, over here!” and a gnarled brown hand, apparently attached to the voice, waved above the cowboy-hatted graying heads of a group of X-gens, Boomers, and their Greatest Generation elders, the whole of them congregated at the far end a massive bar. 

The voice belonged to Ted Yellowhammer, a ranch hand on a nearby spread. Ted was one of several pure-blood Navajo among the membership there. In many other parts of the world, Sam and Ted would have been novelties, but not at that VFW Post. They were among their own kind in that western Nevada location, a place replete with full-blood, half-blood, and mix-blood Native Americans, and other southwestern types. The lot of them had grown so brown from the sun and battered with time and hard work that they had become almost indistinguishable from one another. 

“I see you put on your good shirt again,” Ted teased, sticking a finger in a hole in Sam’s old and nearly colorless work shirt where it had worn away at the elbows. “No need to dress up for us old coots,” Ted bellowed. Laughter rippled down the bar as others joined in on the joke. 

 “Well, Hammer, I seen your pickup outside and thought I’d mosey on in and beat you at a game of Euchre,” Sam jibed in return, a sly grin spreading across his sunken cheeks. “Been a while since you beat me, ain’t it?”

Among a group of their cronies, Sam and Ted solicited two card-playing partners. The four of them shuffled to a corner table and a spirited competition commenced. Three hours passed swiftly, and at 10:30 P.M., and still undefeated, Sam pushed away from the table and said his goodbyes. Preoccupied with the ‘Mountain’ as he and Koa had tagged their project, it had been difficult for Sam to keep his mind on the card game. He was glad to be leaving.

Bess had been entertained highly out in the parking lot, visiting with her master’s friends as they had entered and exited the place, but she was growing weary and needing to go home. She had chores to attend to back at the ranch, after all—lambs to bed down for the night, and predators to keep at bay. Wagging her tail and barking her greeting at Sam’s approach, Bess jumped down from the bed of Sam’s pickup and joined her master at his side, slowing her pace to match his labored stride. “Darn knees!” Sam lamented. “Come on in, Bess-honey,” Sam said to his collie dog when finally they reached the driver’s side door of the truck. 

They drove to the music of gentle vocals and nature sounds of Diné meditation songs, harmonies that edified the bond between the inner and outer worlds of his people. It was the cassette tape he favored during his nocturnal journeys home from the VFW Post. Anticipating a hard night ahead of her at the ranch, Bess caught forty winks while they were driving, and snored without reservation, her head tucked in Sam’s lap during the entire trip.

At midnight, under a last quarter moon, Sam Whitehorse entered the sacred place he had set up in his yard, the construction comprising a ring of indigenous stones, including several from his Navajo homeland. Within the boundary of the ring was an ancient sun-bleached steer skull he had come across on a lonely and barren field in the backcountry of his ranch. Within the ring was also a petrified elbow of a tree branch passed down to him from his forefathers, and a femur bone from the first lamb born to his flock, now long dead, the victim at barely four-months-of-age, of snake bite. He had hunted down that snake, which was a rare albino rattler. Its skin now draped the top of his computer monitor that was housed in a corner of the living room of his ranch house. The snake’s dried-up head, replete with needle-sharp and treacherous fangs, which he had severed from its body at the kill, rested high on a shelf above his computer station. It was an artifact that was a daily reminder to him to bless the long life he had been granted despite his several close encounters with death. Residing within the ring of stones in his yard was also a bundle of eagle’s feathers he had gathered so reverently from his own land. Eagle feathers were sacrosanct among his people and illegal to own if discovered. Hanging from the central pole of his sacred site was a gourd he had harvested from the garden he had planted during the first growing season after taking possession of his ranch. The dried seeds of the gourd rattled against its hardened shell and were a perfect accompaniment to his spiritual incantations. 

Around the periphery of this sacred space Sam lit a fire and then danced the circle while chanting in the high-pitched and wailing tones characteristic of the Diné, while many miles upland, a shape-shifted Koa Kalua’i hissed at the bored and wilting security guard who was absorbed in a magazine article. Undetected, Koa slithered on his scaly belly, his forked tongue testing the air as he entered the first chamber of the man-made maze of tunnels that were cut deep into the heart of the ‘Mountain’…..©



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A CHANCE AT THE MOON purchase links:




Monday, May 25, 2020

"Thank You for Your Service"

By Linda Lee Greene


Memorial Day, May 25, 2020


When commissioned to paint an image of Jesus, artist Leonardo da Vinci chose a young man as his model whose beautiful face was full of innocent light and love. Years later, the artist combed the streets of Florence in search of a man who appeared ugly, dark, and hateful enough to use for his model of Judas, the Great Betrayer of Jesus. Da Vinci found the perfect subject, and in response to his request of the man that he model for the painting, the man replied, “Don’t you recognize me, Maestro? Years ago, I was your model for your painting of Jesus.” One can only imagine the circumstances that befell da Vinci’s cross-starred model that had changed him so greatly, and it is a fitting metaphor of the profound impact that life, especially deeply traumatic life-circumstances, can have on people of every persuasion. This is especially true of our warriors in the armed forces.


World War II gripped the throat of humankind when I was born, and too soon afterwards, the Korean conflict spewed its never-ending pox upon the world, followed in my teen- and young-adult years by the Vietnam War. As I mothered my two babies, terrifying and shocking images of American boys and their allies, as well as innocents caught in the crossfire, being maimed and/or killed in that doomed Vietnam conflict flashed across the screen of my television. In current times, the slaughter rages on in the desecrated streets and countrysides of Afghanistan, Syria and other places, and again, we cringe in horror at the carnage on our monitors and screens. 


Idealistic, or angry, or desperate, or naïve, but nevertheless fresh-faced young people sign up for military service and soon discover that it is a far different experience than membership on a football squad or volleyball team. Like da Vinci’s model for his artwork, life in the form of World War II altered greatly the men and women of my parent’s generation, and their young brothers and sisters succumbed to a similar fate in the Korean War. Not enough can be, or has been, said about the horrific consequences sustained by our brave fighters in Vietnam. And today, as our lovely young guardians walk among us on prosthetic legs, or carry their babies in artificial arms, or cower homeless in shadowed corners lost irretrievably to their former selves and society, adrift in incurable brain injuries or post-traumatic stress disorders, let us pray for them; let us help them. Let us also honor the brave warriors who never made it back home. 


This year, let us pay a special tribute to our precious armed forces veterans who were taken from us by a silent enemy called Covid-19.©        

Thursday, May 7, 2020

CONTEMPORARY NATIVE AMERICAN STORYTELLERS SPEAK OUT


It is important to me to encourage the welfare of the beautiful indigenous people of my country. For this reason, I include Native American characters in my books when appropriate, facets of my stories that place me on joyous research studies about them—about their histories, their cultures, and their priceless and immeasurable contributions to American life. Today and for fitting days in the future, I will post the covers and short descriptions of books about American Indians, many of them from my library, as well as from other sources. I hope they will spark interest in, concern for, and support of Native Americans on the part of my friends who read my posts.



Today’s feature is BLUE DAWN, RED EARTH, NEW NATIVE AMERICAN STORYTELLERS. The book features a stunning collection of thirty, contemporary Native American voices in short stories and essays that “shimmer with wit and erupt with rage while, most crucially, demonstrate the astonishing complexity and richness of Native American stories, both past and present.”[1]



Books by Linda Lee Greene are available for purchase at Amazon.com.



[1] Louis Owens, author of
”Other Destinies and Wolfsong”

Friday, May 1, 2020

A WHITE AMERICAN WOMAN AND A NATIVE AMERICAN WOMAN BOUND TOGETHER IN HISTORY


It is important to me to encourage the welfare of the beautiful indigenous people of my country. For this reason, I include Native American characters in my books when appropriate, facets of my stories that place me on joyous research studies about them—about their histories, their cultures, and their priceless and immeasurable contributions to American life. Today and for fitting days in the future, I will post the covers and short descriptions of books about American Indians, many of them from my library, as well as from other sources. I hope they will spark interest in, concern for, and support of Native Americans on the part of my friends who read my posts.




Today’s feature, referred to me by a friend, is an anthology of books under the heading of “Tender Ties Historical Series,” by Jane Kirkpatrick. Its overview states, “During the fur-trapping era of the early 1800's, Marie Dorion refuses to be left behind in St. Louis when her husband heads west. Faced with hostile landscapes, an untried expedition leader, and her volatile husband, Marie finds that the daring act she hoped would bring her family together may, in the end, tear them apart.

History records that on the journey, Marie may have briefly met Sacajawea, the famous interpreter who accompanied Lewis and Clark. She too was married to a mixed-blood man of French Canadian and Native American descent, and was raising a son in a white world. In this imaginative re-telling, the two women forge a friendship that will uphold Marie long after they part, even as she fights for her children's very survival. Her story reminds us that women are bound together in history, now and forever.

Books by Linda Lee Greene are available for purchase on Amazon.com.